Showing posts with label alternative photography. Show all posts
Showing posts with label alternative photography. Show all posts

Friday, March 23, 2012

Whyte Museum Photography Show - March 24th - May 22nd, 2012


Chateau Dreams 
From the series Seeing Double: Reflections on Human/Nature in Banff 
Original Polaroid Spectra Image (Double Exposure) 
4x4" matted and framed 8x10" 
$125

I currently have work in a photography exhibit at the Whyte Museum of the Canadian Rockies. This is the fourth show I have participated at this beautiful museum, which is very near my home. The Whyte puts out calls for local artists to submit work in particular themes for these juried shows. The accepted work is exhibited in the Museum Shop and the Swiss Guides Room. I submitted four images from my series, Seeing Double: Reflections On Human/Nature in Banff. The are all double exposure images made in camera, using a Polaroid Spectra. The opening for this show is March 24th from 1 - 4 PM. The show runs until May 22nd, 2012.


2 Exit  
From the series Seeing Double: Reflections on Human/Nature in Banff 
Original Polaroid Spectra Image (Double Exposure) 
4x4" matted and framed 8x10" 
$125 


Deer Sky
From the series Seeing Double: Reflections on Human/Nature in Banff
Original Polaroid Spectra Image (Double Exposure)
4x4" matted and framed 8x10"
$125


Recycled Flowers
From the series Seeing Double: Reflections on Human/Nature in Banff
Original Polaroid Spectra Image (Double Exposure)
4x4" matted and framed 8x10"
$125

Thursday, February 9, 2012

Mixed Media - Article in the Banff Crag & Canyon


A Fine Catch
By Jenny Shea & Tiffany Teske
Mixed Media
12 x 9"
$125

I would like to thank Camara Miller for the awesome article that follows...

Mixed Media
By Camara Miller

As local artist Tiffany Teske walks around her newly opened collaborative show at the Banff Public Library, she contemplates aloud about the possibility of wax and photo transfers on metals — techniques she has never tried before.

Jenny Shea & Tiffany Teske: a Mixed Media Collaboration opened at the library on Friday and once the pieces were on the wall, Teske and copper-artist Jenny Shea were already inspired to work together again.
“(Jenny and I) are really just scratching the surface,” Teske said.

The two met a couple of years ago and immediately decided to collaborate.

“I’m drawn to metal,” Teske said, describing the inspiration that comes from working with another artist in unfamiliar territory, and in this case, developing a curiosity about working with metal.

Although the show has many solo pieces, the collaborative works had each artist making the background for a few compositions, then swapping to add onto the backdrop. Teske, specializing in photography, would then switch canvases with Shea who was creating a copper-work foundation. The pieces might have made another trip back to the original artist before each was complete.

For Shea, the process was a new experience.

“It was fun because I would see a story in one of Tiffany’s photographs and try to finish the story in my own way,” Shea said.

Teske emphasized that it really came down to trust. Both admit it wasn’t ideal to work in separate workspaces, but was the best way to work since both have young families.

While no initial themes were discussed, the show exhibits nature with a modern take on the classic subject. However, another theme that stands out is one of community. The library is an accessible venue and Shea commented that the opening last Friday led to some fantastic conversations about the works.

“Everyone will see something different in the pieces,” Shea said

The feeling must come naturally when you think about how the images were made. While the workspace arrangements may not have felt ideal, it developed some interesting art under the circumstances. One would begin the story, the other would interpret the beginnings and it would be passed back and forth. Instead of one uniform intention behind the show, it was a collage compiled by moods if the artist or stories from their own life.

Check out the exhibit at the Banff Public Library until Feb. 29.

Wednesday, August 3, 2011

Invite to the Next Show at the Whyte Museum... or What Do You Mean I Need to be in Three Places At Once


This happens to me frequently... I need to be two or three (or more) places at once. I try to avoid it, but it does happen. I just realized it has happened again for this Saturday. I KNEW I wanted to be in two places at the same time, but I thought the third thing was at a different time than the first two. Now, it would be nice if I just WANTED to be at all of these things, but I am actually REQUIRED to be at two of them. Let me explain...

Ferntebrae
Original Polaroid Transfer by Tiffany Teske

Ferns
Original Polaroid Transfer by Tiffany Teske

I have always wanted to have my work in a show at the highly esteemed Whyte Museum of the Canadian Rockies. Last year, I was selected to take part in their Kaleidoscope of Crafts, which was a two day Christmas Sale. My friend and fellow artist, Barb Fyvie, alerted me to a call for work they had a few months ago, but I didn't have anything that fit the theme. Then, recently, I received their call for submission for a show called Blossoms and Botanicals. Right up my alley... so I submitted 5 pieces, as requested, and they selected two, which is the max they selected from each artist. I was thrilled to get the call. I dropped off my work yesterday, and told them I would be at the opening...

... the opening that I JUST noticed, because I opened the show invite to forward it to my list, is from 1 - 4 PM on Saturday!! OH NO!!!! I thought it would be in the evening... NOOOOOOO!!! I REALLY want to be at the Whyte for the opening and they EXPECT me to be there. But, I can't be. Why you ask?


Because I am facilitating an ongoing project on Saturday, from 11 - 4 PM, for Banff Heritage Tourism as part of Banff Culture Days. It is called Personalized Paddles and I have been excited about it ever since, John Bowden, asked me to lead it. There are actually 5 dates that this will be taking place and I missed the first one when we were in Yellowknife. My wonderful friend, Cheryl Ello, filled in for me, and I can only hope that maybe Cheryl can fill in for me from say, 1 - 2 PM this Saturday...

What is the third thing? The non-required thing I also wanted to go to on Saturday is a cyanotype making/ mail art workshop in the Bison Courtyard by Sarah Fuller. I have been wanting to meet Sarah. My friend, Claire Wilkinson of the Banff Snail Mail Society, will also be part of the workshop. Cyanotypes, vintage typewriters, the Bison Courtyard.... NOOOOOO!! It is from 11 AM - 3 PM. Well, at least I can send my hubby and kiddos.

When was the last time you couldn't be in three places at once?

Monday, January 24, 2011

My Newest Toy - Leica D Lux 5


Move over old toys, there is a new toy in town! Most of the old toys are as happy as I am, but one of them looks a bit worried... After three years of owning a Leica D Lux 3, which I used everyday, I decided it was time for the D Lux 5. I am not one to have the lastest thing, especially when it comes to camera equipment. If you know me, you know that my favorite cameras are my vintage Polaroids and my Holga. They are all very lo tech, analog film cameras. My Nikon D SLR is 8 years old, which is ancient in digital terms. Some professional photographers upgrade their cameras ever few years or more but I just don't see replacing something that I am comfortable using and that serves my needs. There is a certain snob factor in photography and because I don't like showing up to gigs where the client has a newer and better camera than I do (although it is true that it is not the camera but the eye of the photographer who knows how to use the camera...) I did sell my D70 recently and bought a D90. I will post on that soon. While I was selling things and saving money I decided to upgrade my Leica point and shoot. I LOVE Leica. And I bought my D Lux 3 after a lot of research. I wanted a point and shoot that I could bring everywhere, even travel with, when I didn't want to bring and babysit my "big" camera. The Leica D Lux series of cameras are pretty much D SLRS without being able to change lens. I can use the camera fully manual or select the aperture or shutter speed, or use program mode or auto. The D Lux 5 can even support an external flash unit. My Leica has been my constant companion for photographs of my kids and pretty much everything you see on this blog. She is now on her way to her new home, with photographer Barbra Ziemer, who has promised to take good care of her. So now, to get to know my new little beauty. I will be sharing the results with you in each post...

Thursday, December 10, 2009

Kickin' It Old School With My New Retro ORANGE Pentax Camera Case!


My dear friend, Kim, and I, like to check out the local thrift stores and rummage sales when we can. And should one of us be out hunting for treasures without the other, we pick up items for each other. Kim recently found an awesome camera bag for me for $4 bucks. Now, that would be a steal for any functional camera bag but this one is ORANGE, which just happens to be my favorite favorite color (although I don't like to discriminate, I like all the colors in one form or another). When she brought it over I was so excited! It is so nice to have a friend who knows something that screams "me" when she sees it. And extra nice that she picks it up for me.


Now, as a professional photographer, I have tons of camera bags, because I have tons of cameras. Only two are digital, my Nikon SLR and my Leica point-and-shoot, and the rest are analog; various 35mm SLRs for film, plenty of Polaroid cameras, a bunch of point-and-shoots for film, a 4x5, an argus, a yashica mat twin-lens reflex, and of course, my Holga with Polaroid back. These all live in various camera bags, some of which were made for them, some of which were not. Case in point, my Holga with Polaroid back, which produces Holgaroids. A Holga is a plastic camera that is so simple and unpredictable that the artistic possibilities are endless. And adding a Polaroid back to a Holga not only increases the fun, it makes the camera a complete tank. Case in point, see the photo above. (Yes, that is green masking tape, all the better to keep the Polaroid back from falling off when I am taking a photo...). If you are interested in checking out some of my Holgaroids, here are some shots on my Flickr.


Soooo, up until now, my Holga was living in a much-too-short-but-wide-enough-to-house-it Polaroid Spectra case. Which meant my Spectra was either naked or living in some other case which didn't suit it. NOW, thanks to this orange case, my Spectra gets her home back, and my Holga AND all of her accessories, which were living in the super small Holga case, can live in luxury in the retro goodness of the Pentax case.


A place for everything and everything in it's place. Ain't life grand? Thanks, Kimmers! Now, I need to get busy making some new camera straps...

Tuesday, April 28, 2009

Feature Article in PhotoEd Magazine


I have long been a fan of PhotoEd Magazine. I was first alerted to this publication when my friend and fellow photographer, Angela Marklew, was featured in their book arts issue. I have submitted to them twice, and the first time I had one of my Polaroid transfers featured in their Reader's Gallery. I blogged about it here.

The second time I submitted, they were looking for portfolio submissions by photographers who were working in historic processes. I contacted Felix Russo, the magazine's publisher, and asked if Polaroid processes would be considered. He was looking for photographers working in all alternative processes and asked me to submit some of my tranfer work. I sent him two bodies of work, my Seeing Double Polaroid Spectra Series, and Personally Created Iconic Memories (which I need to upload to Picasa or Flickr...). Six images from Iconic Memories were selected to appear in the magazine and I was asked to write about the series. I received both a contributor's credit on the magazine's masthead, as a writer, and then had my article in the contents and in the magazine.

No matter how many times I have seen my work in print, as a professional photographer, it is always exciting. I am thrilled to be in full color, across two pages, of this wonderful Canadian publication. And especially to be in THIS issue. It is the 25 issue, called Photography Revisited. It features many talented photographers working in processes from albumen printing to cyanotype toning to pinhole and toy camera photography. I have read about half way through the issue, and I can't wait to get online to check out even more of these artists' work.





Here is Mr. Russo's editorial for this issue:
"With this issue we celebrate a milestone, our 25th issue — a good time to reflect on what photography is and why photographers are fascinated with their art of choice. PhotoEd has always considered that photography is not a singular activity with a uniform approach. In fact, one of the lures of photography is the almost infinite paths that it offers to anyone setting out on a journey of photographic exploration. The sum total of all photographic discoveries, inventions, and processes are available for you to discover. The relation of past processes and present practices is symbiotic—mutually beneficial. Encompass the entirety of photography and you will be rewarded with many rich experiences. Thank you for taking PhotoEd along on your journey and for your support over the years.

The fall 2009 issue of PhotoEd will be a survey of post-secondary colleges, universities, and professional schools offering an education in photography. Consider having your school featured in this issue. Students attending these schools are welcome to submit their portfolios. The photographic universe is expanding at an accelerating pace and education will be your ticket to this new world."

If you are a student, what are you waiting for? Get together your best work and submit to PhotoEd....

I am a photographer for exactly the reason Mr. Russo talks about in his editorial. Photography doesn't present just one option, it is compilation of all things within its history. The options are unlimited, the possibilities endless. It is never the same. I am obsessed with photography. It is my passion. I am so grateful to be able to turn my passion into something that speaks to others.